課程資訊
課程名稱
 喬伊斯專題
SEMINAR ON JAMES JOYCE 
開課學期
 99-1 
授課對象
 文學院  外國語文學研究所  
授課教師
 曾麗玲 
課號
 FL7161 
課程識別碼
 122 M7070 
班次
  
學分
 3 
全/半年
 半年 
必/選修
 選修 
上課時間
 星期二2,3,4(9:10~12:10) 
上課地點
 外研三 
備註
 第二類
限碩士班以上
總人數上限：15人 
  
課程簡介影片
 
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課程概述

This course aims at introducing and studying James Joyce's works till Ulysses. It is the aim of this course to try initially to unravel some aspects of the Joyce crux. The other equally important focus of this course is to introduce recent critical trends in Joycean studies. Selective readings will be required with an aim to familiarize ourselves with recent development of the critical scene.  

課程目標
 Though Joyce's corpus is arguably manageable in length, its complexity remains daunting to Joyce readers and scholars. It is the aim of this course to try initially to unravel some aspects of the Joyce crux. The other equally important objective of this course is to introduce recent critical trends in Joycean studies. 
課程要求
 Class participation; two oral presentations; one final term paper  
預期每週課後學習時數
  
Office Hours
  
指定閱讀
  
參考書目
  
評量方式
(僅供參考)
  
No.
項目
百分比
說明
1. 
 Two oral presentations 
30% 
  
2. 
 one final term paper  
70% 
  
 
課程進度
週次
日期
單元主題
第1週
 9/14  Introduction 
第2週
 9/21  Dubliners
“Clay,” “Eveline”
1) Luke Gibbons, “’Have you no homes to go to?’: Joyce and the Politics of Paralysis.” Semicolonial Joyce. Eds. Attridge and Howes. (2000). 150-171.
2) Katherine Mullin, “Don’t Cry for me, Argentina: ‘Eveline’ and the Seduction of Emigration.” Semicolonial Joyce. 172-200.
 
第3週
 9/28  “The Dead”
3) Vincent Cheng, “Empire and Patriarchy in ‘The Dead’.” Joyce, Race, Empire. (1995). 128-147.
4) Garry Leonard, “’Perhaps she had not told him the whole story’ The Woman as a Symptom of Masculinity in ‘The Dead’.” Reading “Dubliners” Again: A Lacanian Perspevitve. (1993). 289-308.
 
第4週
 10/05  A Portrait of the Artist as a Young Man
1) Maud Ellmann, “Polytropic Man: Paternity, Identity and Naming in The Odyssey and A Portrait of the Artist as a Young Man.” James Joyce: New Perspectives. Ed. Colin MacCabe. (1982). 73-102.
 
第5週
 10/12  2) Garry Leonard, “When a Fly Gets in Your I: The City, Modernism, and Aesthetic Theory in A Portrait of the Artist as a Young Man.” Advertising and Commodity Culture in Joyce. (1998). 175-207. 
第6週
 10/19  The Critical Writings
1) “Fenianism”
2) “The Day of the Rabblement”
3) “Island of Saints and Sages”
4) “Ireland at the Bar”
5) Kevin J. H. Dettmar, “Joyce/”Irishness”/Modernism.” Irishness and (Post) Modernism. Ed. John S. Richard. (1994). 103-26.
6) Vincent Cheng, “Of Canons, Colonies, and Critics: The Ethics and Politics of Postcolonial Joyce Studies.” Re: Joyce: Text, Culture, Politics. Eds. John Brannigan, Geoff Ward, Julian Wolfreys. (1998). 224-45.
7) Mark Wollaeger, “Joyce and Postcolonial Theory: Analytic and Tropical Modes.” A Companion to James Joyce. Ed. Richard Brown. (2008). 174-192.
 
第7週
 10/26  The Telemachiad
1) Garry Leonard, “’A Little Trouble about Those White Corpuscles’: Mockery, Heresy, and the Transubstantiation of Masculinity in ‘Telemachus’.” Ulysses—En-Gendered Perspectives. Eds. Devlin and Reizbaum. (1999). 1-19.
 
第8週
 11/02  2) Robert Spoo, James Joyce and the Language of History: Dedalus’s Nightmare. (1994). Ch. 4. 92-112. 
第9週
 11/09  “Aeolus”
1) Jacques Derrida, “Ulysses Grammaphone.” James Joyce: The Augmented Ninth. Ed. Bernard Benstock. (1988). 27-75.
 
第10週
 11/16  2) Patrick McGee, “Machines, Empire, and the Wise Virgins: Cultural Revolution in ‘Aeolus’.” Ulysses—En-Gendered Perspectives. 86-99.
 
第11週
 11/23  “Scylla and Charybdis”
1) Joseph Valente, “The Perils of Masculinity in ‘Scylla and
Charybdis.” Ulysses—En-Gendered Perspectives, 111-35.
 
第12週
 11/30  “Cyclops” and “Nausicaa”
Tony E. Jackson, “’Cyclops,’ ‘Nausicaa,’ and Joyce’s Imaginary Irish Couple.” JJQ 29.1 (Fall 1991): 63-83. 
第13週
 12/07  “Oxen of the Sun”
1) Enda Duffy, “Interesting States: Birthing and the Nation in ‘Oxen of the Sun’.” Ulysses—En-Gendered Perspectives. 210-28.
2) Mark Osteen, “Cribs in the Countinghouse: Plagiarism, Proliferation, and Labor in ‘Oxen of the Sun’.” Joyce in the Hibernian Metropolis: Essays. Eds. Beja and Norris. (1996). 237-49.
 
第14週
 12/14  "Circe”
1) Margot Norris, “Disenchanting Enchantment: The Theatrical Brothel of ‘Circe’.” Ulysses—En-Gendered Perspectives. 229-41.
 
第15週
 12/21 
2) Christinia Froula, “’Circe’s Necessary Evils: Father-Tyrants,
Mother/Whores, and Political Philotheology.” Modernism’s Body: Sex, Culture and Joyce. (1996). 136-58.
3) Cheryl Herr, “’One Good Turn Deserves Another’: Theatrical Cross-Dressing in Joyce’s ‘Circe’ Episode.” Journal of Modern Literature 11.2 (1984): 263-76.
 
第16週
 12/28  “Penelope”
1) Karen Lawrence, “Joyce and Feminism.” The Cambridge Companion to James Joyce. Ed. Derek Attridge. (1990). 237-58.
2) Kathleen McCormick, “Reproducing Molly Bloom: A Revisionist History of the Reception of ‘Penelope’ 1922-1970.” Molly Blooms: A Polylogue on “Penelope” and Cultural Studies.. Ed. Richard Pearse. (1994). 17-39.
 
第17週
 1/04  3) Suzette Henke, “Re-Visioning Joyce’s Masculine Signature.” Joyce in Context. 138-50.
4) Christine Van Boheemen, “Molly’s Heavenly Body and the Economy of the Sign: The Invention of Gender in ‘Penelope’.” Ulysses—En-Gendered Perspectives. 267-81.